Anatomia Comparata Dei Vertebrati Liem


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Anatomia Comparata Dei Vertebrati Liem

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Veronica

VERONICA is the Welsh opera by Welsh composer Richard Thomas Lloyd. It’s been more than ten years since her last performance, so I have been impatient to see it performed. Unfortunately, it has an irregular schedule at the moment. In March, it’s the main event at the Open Air Theatre. Later on, it will tour around the country, with some towns playing the opera (also in March and June). I’m pretty excited for that.

The opera is about Veronica, a young woman who wants to leave her abusive husband. When she goes off to work, she meets Prince Cabal, who is a travelling companion of a witch who can grant wishes. He tries to convince her to stay. But, as the opera opens, she has already left him.

VERONICA is the third opera I’ve seen by Richard Thomas Lloyd. I enjoyed both SALOMÉ and THE LIEUTENANT BOATSWAIN very much. And just this last week, I saw the DVD of THE KING AND MOTHER, which I liked very much.

VERONICA seems to be of a similar style. The music is generally light and the arias are generally sung by the main characters. And although there is a lot of repetition, it’s generally done in a graceful, melodious way. Personally, I thought some of the orchestration in the first part reminded me of BOHEME. The LSO Conductor was Richard Hickox, who led the ROH as Principal Conductor last summer.

Richard Thomas Lloyd is a contemporary Welsh composer. He went to Cambridge University, the Liverpool Institute of Performing Arts, the Royal College of Music and the Ritsumeikan University. In 2004, he was awarded the Order of the
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