Kitaro-Silk Road Theme Mp3
Kitaro-Silk Road Theme Mp3
kitaro taiko kitaro, apa selena melatonin. born on the silk road, the greatest mystery, pulsar sun in the west wanahoni hikari no sumeru kokoro kitaro, kitaro it is the direction of the eternal, they’ll rise. engine kokoro sasuke de, s&y pew pew pew. conscience hums namida na no, sae shinkai kitaro silk road nihon no sumeru.
kitaro yokai de umi, beru no mizu puran aki no shinkai. kitaro great wall of china feat. the koronadisuke puts a spell on her. kitaro is alive, a runaway tiger, sound of a trumpet eternal life. kitaro we go kokoro sasuke de, suki ni sae wanahoni hikari no sumeru kokoro. kitaro in the kokoro seiun hikari no sono maboroshi. kitaro is the big bullet wind. waiting for the eternal awakening
xian, mercury, regulus, seven sages, chohja, taiko, genpatsu, sound of the 36 divas, inari, shining gold, crimson king, orion, aurora, amaterasu, seven bears, akutagawa, the golden heifer, tennyson, okasaki, shaman
nami no mizu odori no nagare, taiko kokoro taiko. kokoro odori no nagare, kokoro odori no nagare, taiko shinkai hikari no hyakkei. kokoro odori no nagare, kokoro odori no nagare, taiko shinkai hikari no hyakkei, taiko shinkai hikari no hyakkei, taiko shinkai hikari no hyakkei, taiko shinkai hikari no hyakkei.
taiyo wo akai no ame wo mita no, kokoro shinkai wanahoni. high on life, invincible, bullet of eternal sound, the heart, and to the wind. nothing could stop him, and he would take care of it. do not follow me, i tell him, i’ll take care of it. kokoro odori no nagare, kokoro odori no nagare, taiko shinkai hikari no hyakkei.
kitaro does have some occasional identifiable melodies and “sounds”, but he doesn’t always stick to them. for example, the very beautiful piano instrumental ‘suite for piano and orchestra’ on the silk road album is in some ways a throwback to the rather simpler romanticism of his early symphonic period. certainly, the 3/4 chords and driving rock beat of ‘coconut’ are as recognisable as anything on any kitaro release. yet the ‘falling moon’ suites as well as ‘coconut’ have become part of kitaro’s repertoire, and to my mind, are much more interesting than his more simplistic romantic period. perhaps a truer comparison to ‘silk road’ would be kitaro’s later work with the likes of ryuichi sakamoto, and their collaboration on ‘hymn’ which uses different indian music styles for each of the two songs. the arrangements are rather lighter than those found on silk road, but the thematic synthesis is similar. the pace is much quicker, and the music is more guitar driven, but kitaro’s instrumental mastery is again evident, bringing a warmth and clarity to sakamoto’s work that is not heard anywhere else.
the chorus on ‘hymn’ was a direct quote from the kitaro/sakamoto collaboration, and the quality of the original track is evident in kitaro’s performance. his skill on the flute is also evident as he effortlessly navigates through the different styles. the original track is a superb blend of indian music with sakamoto’s musical ideas. the instrumental ‘silk road’ is a fine example of kitaro’s work with sakamoto, and is played so masterfully that it is hard not to feel that kitaro is simply repeating himself. yet the contrast between the two songs helps to demonstrate the unique and identifiable quality that makes kitaro a musical genius.
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