Red Giant Magic Bullet Plugins Suite 11.4.2 For Adobe After Effects (x86 X64) ⚪


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Red Giant Magic Bullet Plugins Suite 11.4.2 For Adobe After Effects (x86 X64)

magic bullet color stereo allows you to enhance the chroma and saturation of your image. there are three sliders you can use to adjust the amount of color and saturation you want in the effect. you can use the eyedropper to choose the colors you want the tool to adjust. the eyedropper works in a similar fashion as with magic bullet looks. if you are unsure of the colors you want to adjust, you can preview them on the lut panel. like in red gaints magic bullet looks, color stereo doesnt really give you much more than what is already in after effects. the result will not be as dramatic as what you get with magic bullet looks, but it will be a lot easier to use.

with digital optical correction, you can correct for distortions and vignetting. after effects has two different types of vignetting you can correct for. first there is a circular vignetting that appears like an old film camera lens. if you have an anamorphic lens you want to correct for, you can use the vignette slider to adjust the amount of distortion or vignetting that is applied. then, you can use a lens correction tool to adjust the sharpness of the edges of your image. of the two, i liked the vignette better, but both were better than what i get with red gaints magic bullet looks 5.0. you can adjust the amount of vignetting and lens correction in the same way you can with magic bullet looks.

colorista iv is an easy to use plug-in for adobe premiere pro cc. it has a few plug-ins that have a specific purpose for creating the final video. one of the things we love about colorista iv is that we can turn off certain effects and features that we arent using on a particular project. this can save us a ton of time when we do a lot of projects.

For a truly professional looking and sounding movie trailer, you need to give your audio the best treatment possible. The audio can often have a powerful effect on the overall feel of the movie trailer. While Adobe gives you post production tools to help in this area, you can use the audio tools available in After Effects to give your audio that professional touch. Some of the most used features in the audio world are built in to After Effects for cleaning up an audio track.
As we discussed in the first section, many of the tools in the suite are aimed at enhancing color as well as film look. A perfect example is Colorista IV. If your need is film look or color correction and you need a solution that works outside the Adobe After Effects environment, Red Giant Magic Bullet Plugins Suite 11.4.2 for Adobe After Effects (x86 x64) has you covered. If you havent used Colorista IV, you should. If you are just starting out with your color correction needs, or if you need something that will get the job done like a pro, Colorista IV will be a serious contender in your arsenal of color correction tools.
I have already reviewed many of these products previously. For my review of Mojo II, I simply plugged it into After Effects and decided to apply it to a source video. I then applied one of the presets provided. As expected, Mojo really creates a nice filter look. The default presets are good for the most part but something more artistic for you might want to dive into and construct your own. In terms of ease of use, this is one of the easiest options to work with. The presets are pre-curved and the adjustment controls are easy to find. The two-step scrubbing is helpful for adjusting without any lag and the two-step control is helpful to move easily around curves. On top of that, the radial wheel is pretty intuitive.
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