Steinberg Stereo Expander 22 ##TOP## 💭

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Steinberg Stereo Expander 22

the sound is rich and deep, and the processor is the most versatile of any modular i have heard. just to see it in action, its all about finding the buttons on the back of the thing. we have the stereo widener/expander on (which sounds great), the compressor and side-chainable limiter on (which doesnt do much of anything interesting as a side-chain) and the de-esser (which wasnt really meant to be side-chainable, but it was only a matter of time). and by now, i am starting to sound like a salesman.

while the de-esser will do a great job of cutting out the high frequencies, the stereo expander will make sure there are no lows. the de-esser has a really narrow bandwidth, so it will see any kind of frequency but it will be at the expense of the high frequencies. the expander will see everything and throw out the high frequency stuff, leaving it as if it were unprocessed. but, don’t worry it does not do it to all frequencies; it can be set to cut out only the unwanted part of the spectrum.

the side-chainable compressor is great for making the effect of the sound easier to control. in my opinion, it sounds more musical than the others. the de-esser is great, but i dont have a great amount of experience with it, so i shall use it as a comparison to see how the side-chainable compressor compares. the compressor is much more musical, but it wont do as good a job of cutting out the high frequencies and i would prefer to use that for a clean sound. i have used this compressor a lot, but i prefer the side-chainable compressor for its musicality, but if this is something you would like to have a go at, go for it, your skills will improve in no time. i have never used the peak limiter in any form, so i cant comment on how it sounds, but i would expect it to sound pretty much the same as the other two. now, the stereo expander. again, i have used it a lot, but have not had a lot of success with it. i can usually get it to work, but not very consistently. its always a case of using it and seeing what happens. i usually find that i need to raise the ratio of the stereo expander to be able to get the effect i want to get. its not a “one size fits all” thing, i am having to experiment with different things and it takes a lot of messing around before i can get it to do what i want. for example, i would like to use it for miking a drum kit. we dont have the kit so i have been playing around with headphones as i record in the room i am in. i am trying to make a track using the room ambience and the drum kit to see how it sounds.

this is the last update of the series of steinberg ultra-low-cost portable synthesizers. we’ve decided to discontinue this series. the reason is that they are no longer in production and there are no plans for release. at this point in time, the company has no plans to market future portable synthesizers or mpus.
the ui16 boasts eight xlr combo mic/line inputs, four xlr mic inputs, two channels of hi- z/instrument inputs, as well as a stereo rca line input. a 2-channel usb media player is included, along with four balanced xlr aux outputs, two quarter-inch headphone outputs with level control, plus balanced stereo xlr and quarter-inch main outputs. two-channel usb audio playback is compatible with mp3, wav and aiff formats, and 2-channel usb record direct-to-memory devices functionality is possible as well.
conversely, in the side signal, centrally-panned sounds are phased-out completely, while sounds with increasing levels of pan are increasingly reinforced through phase addition. when the m/s signal is decoded back to l/r, these phase cancellations and additions are reversed, and if no other processing was performed in the interim the result is a perfect facsimile of the original l/r stereo signal.
there are two great features in steinbergs panner 3: one is that you can change the stereo width of instruments after the fact, either by turning the panning knob or by using the crossfader. another is that it can be used to change the panning of a stereo field.
with a built-in stereo mic preamp and a dedicated stereo bus, the mc4000 is perfect for guitarists who want to record guitar and bass with an authentic stereo sound. thanks to the mc4000’s built-in stereo mic preamp, you can pick up more detail in the upper mids and highs, which translates into a more natural-sounding sound. if you’re looking to capture a little more “oomph” from your acoustic guitar’s sound, the mc4000 comes equipped with high-quality compression to tame those over-driven peaks and let the natural, organic tone shine through.
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Steinberg Stereo Expander 22 ##TOP## 💭

Steinberg Stereo Expander 22 ##TOP## 💭

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